[45] These segments were again interpolated with excerpts from the 1957 version. [49] The original song lacked a bridge and was deemed inferior to Houston's trademark vocals,[37] thus it was combined with the bridge from "One Foot, Other Foot" from Rodgers and Hammerstein's musical Allegro (1947). Cinderella 1997 vhs Sticker, cinderella sticker, disney princess stickers, whitney houston sticker, brandy norwood sticker, 90's sticker . [9][20] CBS originally intended to air the completed film by the end of the 1994-1995 television season, but the project was continuously delayed. [16] Houston believed strongly in the story's positive moral "that nothing is impossible and dreams do come true," encouraging the filmmakers to imbue their version of Cinderella "with a 90s sensibility but to remain faithful to the spirit of the original. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. [9][62] Surprisingly, 70 percent of Cinderella's total viewership that evening consisted of females under the age of 18,[15][79] specifically ages two to 11. With a production budget of $12 million, Rodgers & Hammerstein's Cinderella ranks among the most expensive television films ever made. This became the highest-selling home video release of any made-for-television film at that time,[81][82] selling one million copies its first week. $14.00. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. [133] CinemaBlend ranked the film the fourth most charming film adaptation. [21] Although the stage musical Annie had already been adapted as a film in 1982, the film was considered to be a critical and commercial failure. [50] Disney CEO Michael Eisner introduced the program. Cinderella grows distracted while waiting upon her stepmother and two stepsisters in the marketplace, where she meets a charming young man. "[69] The costume department originally created fake jewelry for Goldberg's character, which consisted of rhinestones for her to wear during the film's ballroom and wedding sequences. [53] Despite praising Houston, Montalban, Alexander and Peters, People's Terry Kelleher found Brandy's vocals inferior to Houston's and "lack[ing] the vocal command and emotive power to" support the film's ballads. "[16], Robert Iscove was enlisted as the film's director,[12] with Chris Montan and Mike Moder producing alongside Zadan and Meron. 6 min read. Rodgers & Hammerstein's Cinderella is a 1997 American musical telefilm produced by Walt Disney Television. For further information on notice of non-discrimination, the OCR office for North Carolina is located at: Washington DC (Metro), Office for Civil Rights, U.S. Department of Education, 400 Maryland Avenue, SW, Washington, D.C. 20202-1475; Telephone Number: (202) 453-6020; e-mail: OCR.DC@ed.gov. One Hundred and One Dalmatians (101 Dalmatians) Walt Disney Productions. Release Date Title Production Budget Opening Weekend Domestic Box Office Worldwide Box Office; Jun 25, 2019: Cinderella II: Dreams Come Feb 6, 2007 Running Time 1 hr 45 min. When it is announced that there is to be a 'Ball' in honour of the kingdoms Prince the wicked step-mother. Last edited on 28 February 2023, at 17:27, Outstanding Art Direction for a Variety or Music Program, Sweeney Todd: The Demon Barber of Fleet Street, 1950 animated adaptation of the fairy tale, Outstanding Variety, Music or Comedy Special, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, Excellence in Production Design Awards Show, Variety, Music, or Non-Fiction Program, Outstanding Television Movie, Mini-Series or Dramatic Special, NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series, "Rodgers and Hammerstein's Cinderella (1997)", "Rodgers & Hammerstein's Cinderella (1997)", "Whitney Houston And Brandy Star In TV Movie 'Cinderella', "Brandy Norwood, Bernadette Peters & More Look Back on Twenty Years Since Cinderella", "Playbill Critics Circle: Review TV Cinderella", "Finally, Cinderella is going to the ball", "TV's Cinderella Turns In Royal Ratings Performance", "Curtain Call: Ted Chapin Makes Sure Cinderella Has a Ball", "Playbill on Opening Night: Cinderella; The Very Best Foot Forward", "Ring Out The Bells, Sing Out The News: Rodgers & Hammerstein's Cinderella Returns To Television", "It's Possible: 60 Million Viewers Go To The Ball With Cinterella", "It's Possible: An Oral History of 1997's "Cinderella", "Remembering Whitney Houston and the 1997 remake of Rodgers and Hammerstein's Cinderella", "Television; The Slipper Still Fits, Though the Style Is New", "Impossible? When Christopher recognizes Cinderella from the marketplace, he tries the slipper on her foot, and it fits perfectly. After being scolded for speaking to a stranger, Cinderella returns to her stepfamily's aid before she was able to realize the young man is Prince Christopher. [90] The network also aired "Cinderella"-themed episodes of Brandy's sitcom Moesha and the sitcom Sister, Sister in commemoration. [66] Highlighting the performances of Montalbn, Peters and Houston, Entertainment Weekly ranked Rodgers & Hammerstein's Cinderella the fourth greatest adaptation of the fairy tale, ahead of both the 1965 (10th) and 1957 (sixth) versions, with author Mary Sollosi calling it one of "the 11 best-known film adaptations of the tale". What better message could we send than that? [42] Disney asked the Rodgers & Hammerstein Organization to be as open about changes to the musical's score as they had been about the script and cast. [110] While praising the performances of Houston, Peters and Montalban, Ellin joked that "Cinderella's glass slippers are far too big for Brandy", criticizing her acting while saying that the singer "delivers her lines so timidly and flatly that it's hard to stay focused on the story when Brandy is on the screen", concluding that her co-stars "only makes her weak acting all the more glaring", and causing her to wonder how the film would have turned out had Houston been cast as the lead instead. Rodgers & Hammerstein's Cinderella is regarded by contemporary critics as a groundbreaking film due to the unprecedented diversity of its cast and Brandy's role. . [40] Freedman granted the prince "a democratic impulse" that drives him to spend time among the citizens of his country in the hopes of better understanding them. [44] Attributing most of the "magic" to Alexander, Peters and Goldberg, Rosenberg was unimpressed with Montalban and Houston, who he described as "pastel as a prince can get (although it's not his fault the character is written as a doofus)" and "not much of a fairy godmother", respectively. [12] Music producers Chris Montan and Arif Mardin were interested in combining "Broadway legit with Hollywood pop",[12] re-arranging the musical's original orchestration in favor of achieving a more contemporary sound by updating its rhythm and beats. [16] Although they were originally concerned that the organization would dismiss the idea of a multi-cultural cast, they were surprised when the company did not protest whatsoever. [136], Rodgers and Hammerstein's Cinderella is considered to be a "groundbreaking" film due to its diverse cast, particularly casting a Black actress as Cinderella. The film was a huge box-office success and allowed Disney to carry on producing films throughout the 1950s. [37] Mary described the completed song as "Whitney-fied". [27] Both Polygon and Mashable named 1997's Cinderella the best version of the story,[100][132] while Entertainment Tonight ranked the film the third greatest adaptation of the fairy tale. New condition. [148] Ashley Lee of the Los Angeles Times declared Cinderella "the best example of colorblind casting of a screen musical to date" which "offers a useful template for potential successors", concluding, "the creatives behind Hollywood's current movie-musical boom could learn a thing or two from its clever spin on a classic text. It is a remake of the Rodgers and Hammerstein's television movie musical, and the only one of the three versions to be shot as a film. [22] Mary and James often visited,[35] as well as Chapin. [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. The original cast included Brandy and the late Whitney Houston, as well as Whoopi Goldberg as Queen Constatina, Paolo Montalban as Prince Christopher, Victor Garber as King Maximillian, Bernadette . [99][132] Brandy's performance earned her the titles "the first Cinderella of color", "the first black Cinderella" and "the first African-American princess" by various media publications,[32][98][140][141] while Shondaland.com contributor Kendra James dubbed Brandy "Disney's first black princess", crediting her with proving that "Cinderella could have microbraids" and crowning her the Cinderella of the 1990s. Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. Critics Consensus: Woody Allen's Blue Jasmine finds the director in peak late-period form -- and benefiting from a superb cast led by Cate Blanchett. [11][128] Additionally, Montalban has reprised his role as the prince in both regional and touring productions of Cinderella, some of which have been directly based on or inspired by the 1997 film. [79] Similarly, Bert Fink of the Rodgers & Hammerstein Organization said that the program's ratings will most likely "have a salubrious effect on" the future of television musicals. [123] Inspired by the success of Cinderella, Zadan and Meron saw remaking the musical as an opportunity to rectify the previous adaptation's errors. 16. Genres Adventure Drama Family Fantasy Romance. [69] Mandy Len Catron, author of How to Fall in Love with Anyone: A Memoir in Essays, believes that the film remains "The only truly diverse version of the fairy tale" as of 2017. Our countdown includes it had a huge budget, the stepmoth. [17] Although filmmakers are usually hesitant to interpolate songs from other sources into adaptations of Rodgers and Hammerstein's work, Ted Capin, President of the Rodgers & Hammerstein Organization,[10] challenged the producers to conceive "compelling reasons" as to why they should incorporate new material into the remake,[52] allowing the filmmakers significant freedom on the condition that the additions remain consistent with the project. "[16] Zadan maintains that Brandy was the only actress they had considered for the role, elaborating, "it's important to mention because it shows that even at that moment there was still resistance to having a black Cinderella. [91] 1.5 million viewers watched. "[104] Leonard also praised the actors' musical performances, particularly Peters' "Falling in Love with Love", but admitted that he prefers the songs used in Disney's 1950 animated adaptation of the fairy tale. [49] Praising its sets, costumes, choreography and script, Paller concluded "everything about the TV play worked", predicting that both young and adult audiences will find the program memorable. [25] Furthermore, the writer opined that future live-action remakes should watch Cinderella for reference. [39] Casting the stepmother proved particularly challenging since most of the white actresses considered for the role felt uneasy about acting cruelly towards a Black Cinderella; Bette Midler was among several actresses who declined. "[37] Goldberg found the film's colorful cast to be reflective of "who we are", describing it as "more normal" than all-Black or all-white casts. "[102] McDonagh observed that the color-blindness of the entire cast spares the film from potentially suffering "disturbing overtones" that otherwise could have resulted from images of an African-American Cinderella being mistreated by her Caucasian stepmother. It's Possible! The show loses money, and the home video [market] makes back the money that you lose. [34][38][41], Cinderella was provided with a more empowering motive in that her fairy godmother reminds her that she has always been capable of bettering her own situation; she "just didn't know it" yet. [36] Whoopi Goldberg accepted the role of Queen Constantina because Cinderella reminded her of a period when television specials were "major event[s]" before home video made such programs available and re-watchable at virtually any time, and hoped that the film would re-introduce the tradition of watching it live and "become part of the fabric of our lives again. [52] While Mary, Rodgers' daughter, was initially against using "Falling in Love With Love", she relented once Peters was cast as the Stepmother,[52] feeling confident that the Broadway veteran was capable of "put[ting] a different kind of spin on it. "[29] Chase hoped that the film mirroring an evolving society "will touch every child and the child in every adult",[19] encouraging "children of all colors [to] dream. Taylor Swift has not directed any large-scale projects with large budgets or crews. [20][52] Few songs remaining in Rodgers and Hammerstein's repertoire were deemed suitable until they re-discovered "There's Music in You", a little-known song from the film Main Street to Broadway (1953),[20] in which the songwriters play themselves. [5] The final actor to audition for the film,[36] Paolo Montalban was ultimately cast as Prince Christopher in his film debut;[23] Montalban had been an understudy in Rodgers and Hammerstein's musical The King and I at the time. Kejuaraan U-23 AFC (2014 dan 2024 (bila lolos) karena pada 2016, 2018, dan 2020 hanya menayangkan highlights) Kejuaraan Junior Putra dan Putri AFC ( U- 16 dan U- 19) Liga Champions AFC. "[26] One Disney executive would have preferred to have a white Cinderella and black Fairy Godmother and suggested singer-songwriter Jewel for the titular role. [17][19] Zadan explained that, because of her popularity, Houston "had so many other concrete things that she was doing that 'Cinderella' took a back seat". Happily N'Ever After (2006). [79] Rodgers and Hammerstein's Cinderella was released on VHS February 10, 1998, a mere 101 days after premiere. Office Lighting . It was the 5th most popular movie at the British box office in 1951. Seeing a princess with box braids like mine and a fairy godmother like Whitney gave me and girls who looked like me a glimpse at an early age of why it is necessary to demand representation of all types of people playing all types of roles in films. [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. Distributor Walt Disney Studios Motion Pictures. [129][130], Despite its initial reception, Cinderella has become widely revered as one of the best film adaptations of the fairy tale. The program's success inspired Disney and ABC to produce several similar musical projects. The film was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. "[134] On February 11, 2021, the day prior to the film's premiere on Disney+, Entertainment Weekly held a virtual reunion with the surviving principal cast members. Heavily promoted to re-launch the anthology series The Wonderful World of Disney, Rodgers & Hammerstein's Cinderella premiered on ABC on November 2, 1997 to mixed reviews from critics. [64] Disney granted the producers this amount because they felt confident that the film would eventually make its budget back once it was released on home video. "[16] His efforts apply to both Cinderella and the prince; while Cinderella pines for independence from her stepfamily and actively disagrees with her stepmother's opinions about gender roles in marriage, the prince protests the idea of being married off to simply anyone his parents choose. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". "[147] Khoo observed that the film continues to be constantly praised in social media by fans who had grown up with the film for its diversity, concluding, "With so much talk about the lack of diversity in Hollywood these days, Rodgers and Hammerstein's 'Cinderella' is a shining example of the diversity we need. Among the most significant changes made to the musical, several songs from other Rodgers and Hammerstein productions were interpolated into the film to augment its score. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. [45] Peters' stepmother was adapted into a more comical version than previous incarnations of the character due to the actress' comedic background. You can stream Disney's 1950 classic Cinderella (and its two subsequent sequels) on Disney+, while the Whitney Houston -fronted 1997 adaptation and the 1998 Drew Barrymore movie EverAfter are . [16] Aware that the film could potentially be groundbreaking, Freedman, Zadan and Meron collaborated on several new ideas for the remake, among them ensuring that Cinderella "was defined by more than falling in love", providing her with her own story arc that is beyond simply finding a love interest. 2 Rodgers & Hammerstein's Cinderella (1997) . [138] Brandy is considered to be the first African-American to play Cinderella on-screen. [28] A BET biographer referred to the production as a "phenomenon" whose cast "broke new ground. [5][6] Songwriters Richard Rodgers and Oscar Hammerstein II originally wrote Cinderella as a musical exclusively for television starring Julie Andrews,[7] which aired in 1957 to 107 million viewers. [20] The film was co-produced by Walt Disney Telefilms, Storyline Entertainment and Houston's own production company BrownHouse Productions,[12] becoming the latter's first project and Houston's executive producing debut. ", "TV Weekend; The Glass Slipper Fits With a 90's Conscience", "11 Cinderella Movie Adaptations, Ranked", "It's Beauty and the Beast: A multiracial 'Cinderella' and a bloody-bad 'House of Frankenstein' kick off sweeps", "Bernadette Peters will star in a new production of the Rodgers and Hammerstein classic, Cinderella, to be aired on ABC-TV Nov. 2", "Why Brandy's Cinderella Is Actually the Best Cinderella (Yes, Including the Original)", "Cinderella Screening: A Star Sapphire Evening", "Brandy & Whitney Houston's 'Cinderella' Is Airing In Honor Of Its 20th Anniversary & You Won't Want To Miss It", "Adding More To Cinderella's Score? [20] Houston explained that by the time she became a wife and mother, she was not "quite feeling like Cinderella" anymore, believing that portraying the ingenue would require significant "reaching" for herself as an actress. [4] Victor Garber, who was cast as King Maximillian, also enjoyed the film's multicultural cast, describing the fact that his character has an Asian son with an African-American queen as "extraordinary". The main plot follows a litter of dalmatian puppies who end up kidnapped by Cruella de Vil to make fur for her coats. "[39] Freedman identified Houston's eventual re-casting as the Fairy Godmother as a moment that instigated "the next round of rewriting",[16] adapting her version of the character into a "worldly-wise older sister" to Cinderella, as opposed to the "regal maternal figure" that had been depicted prior. "[16] Similar to the film, the stage adaptation has consistently demonstrated color-blind casting. The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. "[20] The filmmakers also agreed that it would be wasteful to cast Peters without allowing her to sing. Our heroine (Camila Cabello) is an ambitious young woman, whose dreams are bigger than the world will . "[106] Describing the film as "big, gaudy, miles over the top and loads of fun", Variety's Ray Richmond found some of its aspects distracting and opined that the entire project "could have been toned down a notch and still carried across plenty of the requisite spunk. In a special 20/20 episode that aired to commemorate the . "Cinderella's glass slippers are far too big for Brandy to fill," wrote the . [12] The idea to remake Cinderella for television a second time originated as early as 1992, at which time producers Craig Zadan and Neil Meron first approached the Rodgers & Hammerstein Organization about obtaining the screen rights to the production. [111] In its year-end edition, TV Guide ranked the program the best television special of 1997. Rodgers & Hammerstein's Cinderella (also known as simply Cinderella)[1] is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman. [104] In addition to receiving praise for its overall craftsmanship and musical format, critics appreciated the film's color-blind cast. Despite this, Cinderella proved a major ratings success, originally airing to 60 million viewers and establishing itself as the most-watched television musical in decades, earning ABC its highest Sunday-night ratings in 10 years. [89], Fuse broadcast Rodgers & Hammerstein's Cinderella on November 2, 2017 in honor of the film's 20th anniversary,[51] naming the television special A Night Of Magic: 20th Anniversary of Rodgers & Hammerstein's Cinderella.
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